A single Bose Panaray MB4 Subwoofer, fully tested and working. This was removed from a premium installation and is now surplus to requirements. Overall good condition, but a few signs of wear and tear as pictured.
A complete Martin Audio PA system consisting of a single BlacklineX 115 15" Subwoofer and four BlacklineX 10 10" full range cabinets, with associated installation 'U' bracket. These are in generally good condition but do show some signs of wear and tear, however, they've been fully tested and working. There is no amplifier included in this sale.Shipping is via pallet service and added at checkout.
The W Audio DQM 600BP is a beltpack radio microphone add-on kit designed for use with the W Audio DQM 600 wireless microphone system. It allows one of the handheld transmitters in a DQM 600 setup to be replaced with a beltpack transmitter, making it a useful option where hands-free operation is required.
Supplied with both a headset microphone and lavalier / tie-clip microphone, the DQM 600BP is well suited to presenters, teachers, performers, fitness instructors, theatre users and houses of worship. The headset microphone is ideal where a more secure hands-free fit is required, while the lavalier microphone provides a discreet option for speech and presentation use.
The system operates in the 606–614MHz Channel 38 frequency band and is designed for use with compatible DQM 600 receivers. In the UK, Channel 38 operation requires the appropriate PMSE licence, so this product is best suited to professional or organised wireless microphone setups where licensed operation is already in place.
Each DQM receiver channel can only be used with one transmitter at a time, so the DQM 600BP should be used in place of a handheld transmitter rather than alongside it on the same channel. It is not a complete standalone radio microphone system and requires a compatible DQM 600 receiver to operate.
The W Audio DQM 600H is a quad handheld UHF radio microphone system designed for professional speech, presentation and live performance applications. Supplied with a 1U full-width rackmount receiver and four handheld transmitters, it provides a practical multi-microphone solution for schools, venues, churches, conference spaces, theatres and event systems.
Operating in the 606–614MHz Channel 38 band, the DQM 600H offers an 8MHz tuning bandwidth with 110 selectable frequencies. In the UK, Channel 38 operation requires the appropriate PMSE licence, making this system best suited to users who need a coordinated professional wireless microphone setup rather than licence-free casual use.
The receiver includes four OLED displays with frequency, channel, RF and AF signal metering, making setup and monitoring straightforward. Automatic frequency scanning helps locate suitable operating frequencies, while IR infrared synchronisation allows the handheld transmitters to be quickly matched to the receiver channels.
Each handheld transmitter uses a dynamic cardioid capsule, making the system suitable for vocals, announcements, assemblies, conferences and general presentation use. The cardioid pickup pattern helps focus on the person speaking or singing while reducing pickup from the sides and rear.
Connectivity is designed for professional audio systems, with individual balanced XLR outputs for each microphone channel plus an unbalanced mixed output. This allows each microphone to be mixed separately on a sound desk or combined through a single output where a simpler setup is required.
The DQM 600H is a useful choice for fixed AV racks, school hall systems, stage productions, houses of worship and live event setups where four handheld wireless microphones are required from one rackmount receiver.
The Showtec Xpression 2000W WashBeam is a compact RGBW LED moving head designed to deliver both wide wash coverage and tight beam effects from one fixture. Built around 7x 40W RGBW LEDs, it offers strong colour output, motorised zoom, precise movement and professional control in a medium-sized moving head format. It is suitable for users who need a flexible fixture capable of shifting from narrow beam looks to broader colour wash coverage within the same lighting rig.
The RGBW LED engine combines red, green, blue and white output, giving the fixture access to saturated colours, cleaner mixed tones and practical white light options. With a luminous flux of 3166 lumens, the Xpression 2000W provides useful output for its size. Its measured illuminance is listed at 62931 lux at 2m, 27696 lux at 3m and 10069 lux at 5m, supporting both close-range wash use and tighter beam effects across a stage or venue space.
A key feature of the Xpression 2000W is its motorised zoom range of 3.8° to 35°. At the narrow end, the fixture can produce tight beam-style looks with concentrated output and defined movement. At the wider end, it can be used for broader wash coverage, colour fills and stage illumination. This makes it more versatile than a fixed-beam wash fixture, as the same unit can adapt to different scenes, programming styles and rigging positions.
Movement is handled through 540° pan and 360° endless tilt. The endless tilt function allows continuous rotation effects and more dynamic visual programming than a standard limited tilt movement. The fixture also supports 16-bit pan control, giving smoother positioning and more accurate movement during programmed cues. This is particularly useful when creating symmetrical looks across multiple fixtures or when programming fluid fly-in, sweep and rotation effects.
Control options include auto, built-in program, DMX, manual, master/slave and standalone operation. The fixture supports DMX and RDM protocols, allowing it to be used in both straightforward lighting systems and more structured control environments. DMX channel modes include 13 and 21 channel configurations, giving users a choice between efficient control or more detailed access to movement, zoom, dimming, colour and built-in functions.
The Xpression 2000W includes smooth 0–100% dimming and adjustable PWM from 1200Hz to 15000Hz. Adjustable PWM is useful where flicker behaviour needs to be managed for camera-facing applications or different operating environments. This gives the fixture additional flexibility beyond basic moving head wash operation, particularly where video capture, streaming or mixed lighting conditions may be involved.
The Xpression series is designed so colour and movement effects can work consistently across the wider fixture family. This makes the WashBeam suitable for rigs that combine spot, beam and wash/beam models within the same visual design. The Xpression 2000W can provide the colour wash and beam movement element of a wider moving head system, while matching the style and control approach of other Xpression fixtures.
Power is supplied from a 100–240V AC, 50/60Hz input, with power consumption listed at 282W. The fixture uses Power Twist input and output connectors for mains power and 3-pin XLR input/output for DMX. It is IP20 rated, so it is intended for indoor use only.
The Showtec Xpression 2000W WashBeam measures 205 x 310 x 409mm and weighs 9.8kg. Its compact housing keeps it manageable for rigging, transport and integration into medium-sized lighting systems, while still providing the flexibility of zoom, RGBW colour mixing and endless tilt movement.
For customers looking for a versatile LED moving head that can operate as both a wash and beam fixture, the Showtec Xpression 2000W WashBeam provides a strong balance of output, movement and control. With 7x 40W RGBW LEDs, 3.8°–35° motorised zoom, 3166 lumen output, 540° pan, endless tilt, adjustable PWM, DMX/RDM support and 13/21 channel modes, it is a flexible fixture for modern indoor lighting systems.
The Showtec Xpression 2000S Spot is a compact LED moving head spot designed for sharp projections, dynamic beam effects and professional show control. Built around a 200W LED light source, it combines a 17° beam angle, motorised focus, rotating gobos, a dichroic colour wheel, dual rotating prisms and frost effect in a medium-sized moving head format.
This fixture is designed for users who need a spot moving head with more creative control than a basic beam fixture. The 200W LED engine delivers 2392 lumens, with high measured illuminance through its focused optics. Output is listed at 686071 lux at 2m, 304920 lux at 3m and 109771 lux at 5m, giving the fixture the intensity required for visible gobo projection, aerial effects and sharp mid-air looks when used with haze.
The 17° beam angle provides a focused spot output suitable for defined lighting positions, gobo projection and moving light effects. Motorised focus allows projected gobos and beam looks to be sharpened remotely from the lighting controller, helping the fixture adapt to different throw distances and rigging positions. A frost filter is also included, allowing the output to be softened when a less defined beam is required.
Colour control is handled through a dichroic colour wheel with 7 colours plus open. This gives access to a practical range of saturated colour options while retaining the punch of a dedicated white LED source. The colour wheel can also be indexed and rotated, allowing colour changes and rainbow-style effects to be programmed as part of a lighting show.
The gobo system includes 6 bi-rotational gobos plus open. Bi-rotational gobos allow pattern movement and rotation effects, giving the fixture more visual flexibility for projection, aerial texture and dynamic stage looks. The Xpression 2000S also supports replaceable gobos, allowing custom glass or steel gobos to be used where a specific pattern, logo or projection effect is required.
Dual prism effects provide additional creative options. The fixture includes a 12-facet circular prism and a 10-facet linear prism, with prism overlay, indexing and rotation. These prisms can split and multiply the beam or projected gobo image, creating layered effects and wider visual coverage from a single fixture.
Movement is provided by 540° pan and 270° tilt, with 16-bit pan and tilt resolution for more accurate positioning. This allows smooth movement, repeatable cue placement and fast moving-head effects across a programmed lighting rig. The fixture can be used as part of a matched Xpression series setup, with colour and gobo effects designed to integrate consistently across the range.
Control options include DMX, RDM, manual, auto, built-in program, master/slave and standalone operation. The fixture supports 14 and 18 channel DMX modes, allowing users to choose between efficient control or more detailed access to movement, colour, gobos, prisms, focus, frost, dimming and shutter functions. RDM support also helps with remote fixture configuration in compatible systems.
The Xpression 2000S includes 0–100% dimming, shutter control and selectable dimmer curves including Linear, Square, I-Square and S-Curve. The refresh rate is adjustable from 1200Hz up to 15kHz, supporting smoother performance in many camera-facing environments. An LCD display provides access to menu settings and local configuration.
Power is supplied from a 100–240V AC, 50/60Hz input, with power consumption listed at 221W. The fixture uses Power Pro input and output connectors for mains linking and 3-pin XLR input/output for DMX. A Power Pro cable and quick-lock bracket are included, supporting practical setup and rigging straight from the box.
The Showtec Xpression 2000S Spot measures 310 x 425 x 180mm and weighs 10.6kg. It is built with a metal and plastic black housing, uses convection and axial fan cooling, and is rated IP20 for indoor use. For customers looking for a compact LED spot moving head with motorised focus, gobos, dual prisms, frost and professional DMX/RDM control, the Xpression 2000S Spot provides a strong creative fixture for modern indoor lighting rigs.
The Showtec Showmaster 48 MKII is a 48 channel DMX lighting control desk designed for users who need hands-on control of conventional dimmers, LED fixtures and straightforward DMX lighting systems. It offers a familiar physical fader layout, programmable scenes, chase playback, MIDI control and sound-triggered operation, making it a practical control solution for stage, venue, theatre, rehearsal and multipurpose lighting environments.
The console can be operated as two banks of 24 faders or as one 48 channel control surface, giving users flexibility depending on the lighting setup. This allows direct access to 48 DMX channels when required, while also supporting a more compact banked workflow for smaller rigs. The physical fader layout makes it well suited to users who prefer tactile control over software-based lighting operation.
Programming capability is one of the main strengths of the Showmaster 48 MKII. The desk can store 96 scenes or chases, with each chase supporting up to 999 steps. It also offers a total memory capacity of 23976 steps, allowing users to create more detailed cue sequences, lighting looks and playback routines for structured show control. This is useful where multiple lighting states need to be recalled quickly during performances, presentations or events.
The console supports manual, MIDI and sound control modes. Manual operation gives direct fader control over connected channels, while MIDI functionality allows the desk to interact with compatible external control systems or triggering devices. Sound-triggered playback allows programs to respond to an audio source, providing a simple way to create music-responsive lighting without detailed cue programming.
DMX output is provided via a 3-pin XLR connector, allowing the desk to connect directly into a standard DMX lighting chain. The 5-pin MIDI interface supports real-time programme control and file dump functionality for compatible workflows. An audio input is also included for sound-triggered operation, with a listed input range of 100mV–1Vpp.
The Showmaster 48 MKII is built into a 6U rack-compatible format, making it suitable for both desktop and rack-mounted control positions. This is useful where the desk needs to be installed into a control booth, AV rack, portable flight case or fixed lighting control area. Its larger surface gives more direct fader access than the Showmaster 24 MKII while still remaining practical for compact control spaces.
The console uses a metal and plastic housing with a grey finish and is rated IP20 for indoor use. It is designed for use in controlled indoor environments and should be protected from moisture, dust-heavy locations and outdoor exposure. The maximum ambient operating temperature is listed at 40°C.
Power is supplied from an external PSU, with product specification showing a 12V–20V DC, 500mA requirement. Power consumption is low, making it practical for fixed and portable lighting control setups.
The Showtec Showmaster 48 MKII measures 710 x 267 x 90mm and weighs 6.2kg. Its 6U rack size should be considered when planning installation into a rack or flight case. The wider 710mm control surface provides the physical space required for 48 channel control while still remaining manageable for transport and storage.
For customers looking for a traditional 48 channel DMX lighting desk with physical faders, scene memory and chase programming, the Showtec Showmaster 48 MKII provides a practical and dependable control surface. With 48 DMX channels, 96 programmable scenes or chases, up to 999 chase steps, MIDI control, sound-triggered playback, 3-pin DMX output and 6U rack compatibility, it is a strong choice for straightforward DMX lighting control.
The Showtec Showmaster 24 MKII is a 24 channel DMX lighting control desk designed for users who need hands-on fader control, programmable scenes and reliable show playback in a compact hardware console. It provides a practical control solution for conventional dimmers, LED fixtures and simple DMX lighting rigs where a tactile desk is preferred over software-based control.
The desk can control 24 DMX channels from a single DMX universe. It can be operated as two banks of 12 faders or as one bank of 24 faders, giving users flexibility depending on the lighting setup and preferred workflow. This makes it useful for straightforward dimmer control, basic stage lighting, small venue rigs, theatre lighting, rehearsal spaces and multi-purpose lighting systems where direct channel access is important.
Programming capability includes 48 scenes and 48 chase programs, with each chase able to contain up to 999 steps. This allows users to store static looks, lighting states, colour changes and movement sequences, then recall them during a performance or event. The console can also run programs automatically or via internal or external music input, making it suitable for both structured playback and audio-triggered lighting operation.
The Showmaster 24 MKII also includes MIDI functionality, allowing lighting programs to be triggered as part of a wider real-time control setup. MIDI in and out connections are useful where lighting needs to interact with compatible controllers, sequencing equipment or show control workflows. This adds flexibility beyond basic manual operation while keeping the console approachable for users who prefer physical controls.
The control surface includes 29 faders and 44 buttons, giving users direct access to channels, scenes, chases and playback functions. Two independent continuous crossfaders are provided, supporting smoother transitions between programmed looks. A 3-digit LCD display gives clear feedback during operation, while LED indicators show operation mode, output level and signal status.
DMX output is provided on a 3-pin XLR connector, allowing the desk to connect directly into a standard DMX lighting chain. The unit also includes DMX inversion functionality, which can be useful when working with certain fixtures or control configurations. Power is supplied via a low-voltage DC plug from the included AC-DC adapter, with a 12V DC output and 6W power consumption.
The Showmaster 24 MKII is housed in a black and grey metal/plastic chassis and can be used as a desktop controller or rack-mounted in a 6U space. Side panels and a power adapter are included, allowing the console to be deployed as part of a fixed control position or portable lighting control setup. The IP20 rating means the desk is intended for indoor use only.
The console measures 530 x 330 x 150mm and weighs 4.8kg, making it compact enough for control desks, AV racks, lighting booths and portable production setups. Its physical fader layout makes it a straightforward option for users who want immediate control without relying on a computer, touchscreen or complex programming environment.
For customers looking for a traditional 24 channel DMX lighting console with scene storage, chase programming, MIDI control and sound-triggered playback, the Showtec Showmaster 24 MKII provides a practical and familiar control surface. With 48 scenes, 48 chases, 24 DMX channels, physical faders, crossfaders, 3-pin DMX output and 6U rack compatibility, it is a dependable choice for simple to mid-level lighting control applications.
The Showtec Shark The Meg Beam One is a powerful 100W LED beam moving head designed for sharp aerial effects, tight beam projection and dynamic moving light performance. With a narrow 1.6° beam angle, high-output cool white LED source and a strong onboard effects package, it is built for users who need compact moving heads capable of producing defined beams, crisp gobos and high-impact lighting looks.
The fixture uses a 100W cool white LED light source, delivering a total luminous flux of 6056 lumens. Its output is especially focused through the narrow beam optics, with illuminance listed at 822769 lux at 2m, 365675 lux at 3m and 131643 lux at 5m. This gives the Shark The Meg Beam One the intensity required for bold mid-air beam effects, particularly when used with haze or atmospheric effects.
A key feature of this fixture is its very narrow 1.6° beam angle. This allows the unit to produce a concentrated shaft of light rather than a broad wash, making it suitable for sharp beam looks, fast movements, fan effects and defined aerial patterns. Motorised focus is included, allowing gobos and beam effects to be sharpened directly from the controller. A frost filter is also provided when a softer beam dispersion is required.
The Shark The Meg Beam One includes a dichroic colour wheel with 11 colours plus open. This gives users access to a practical range of colour options while retaining the brightness and punch of a dedicated beam fixture. Colour wheel control also supports rainbow-style effects, allowing smooth or stepped colour transitions as part of programmed lighting sequences.
The gobo system includes 14 gobos plus open, giving the fixture a strong selection of projected patterns and beam shaping effects. Gobo shake is supported, helping create more dynamic looks from the fixed gobo wheel. Combined with motorised focus, the gobo system can produce sharp projected images and defined aerial texture, making the fixture more versatile than a basic beam-only moving head.
Dual prism effects are included for more complex beam looks. The fixture features a 16-facet circular prism and a 24-facet linear prism, both with index and rotation control. These prisms can be used to split and multiply the beam, creating wider aerial effects, layered patterns and more energetic movement across the rig. The separately controllable LED ring adds another visual layer, with selectable graphic patterns and colours.
Movement is handled through 540° pan and 270° tilt, with 16-bit pan and tilt resolution for smoother positioning. This gives the fixture the precision required for programmed beam looks, fast sweeps and repeated cue positions. It can be used as part of a symmetrical moving head rig or as a standalone effect fixture where strong movement and visual impact are required.
Control options include DMX, built-in programs and master/slave operation. DMX channel modes are available in 15, 22 and 30 channel configurations, allowing users to select the level of control detail required for the show. The TFT display provides access to fixture settings and menu functions, supporting setup, addressing and local configuration.
Power is supplied from a 100–240V AC, 50/60Hz input, with power consumption listed at 175W. The fixture uses Power Pro input and output connectors for mains linking, with 3-pin XLR input and output for DMX. Cooling is handled by an axial fan, and the fixture is rated IP20 for indoor use only.
The housing is made from metal and PVC with a black finish. Quick-lock mounting is supported, and a quick-lock bracket is included. A safety attachment point is also provided for secure rigging. The fixture measures 165 x 275 x 430mm and weighs 10.85kg, making it compact enough for professional rigs while still offering a strong beam and effects feature set.
For customers looking for a compact moving head with a sharp beam, strong output and a broad effects package, the Showtec Shark The Meg Beam One is a capable professional lighting fixture. With its 100W LED engine, 1.6° beam, 11-colour wheel, 14 gobos, dual prisms, motorised focus, frost filter, LED ring effects and 15/22/30 channel DMX control, it offers a strong solution for dynamic indoor beam lighting systems.
The Showtec Quick DMX D512S is a compact USB DMX lighting interface designed for controlling a full 512-channel DMX universe through Quick DMX software. Built into a black metal housing, it provides a practical hardware link between a Mac or Windows computer and a DMX lighting system, making it suitable for programmed shows, venue lighting, performance spaces, installations and controlled lighting environments.
The D512S provides access to 512 DMX channels across one DMX universe. This allows users to control a wide range of DMX fixtures, including LED PARs, moving heads, dimmers, theatre fixtures, effects lighting and other DMX-compatible devices from one compact interface. It connects to the computer via USB and outputs DMX through a 3-pin XLR connector.
A key benefit of the Quick DMX D512S is its unrestricted 512-channel operation within the Quick DMX software platform. The interface is designed specifically for use with Quick DMX software, giving users access to full universe control rather than a limited channel count. It can be used for programming scenes, chases, fixture control, timed playback and structured lighting operation.
The interface supports manual, MIDI, PC software and standalone control modes. MIDI triggering is available through a learning mode, allowing lighting functions to be triggered from compatible MIDI devices or control workflows. This can be useful in setups where lighting cues need to integrate with other control surfaces or show control processes.
The metal road-proof casing gives the D512S a durable finish for regular professional use. Power and signal indication LEDs are positioned on the front panel, giving quick visual feedback during setup and operation. The compact form factor makes the unit easy to place on a control desk, inside a lighting control case or within a small AV rack environment.
Power is supplied via USB, with a 5V DC power requirement and 5W power consumption. This keeps setup simple, as the same USB connection provides the data link and power feed. The interface supports Mac and Windows operating systems, making it practical for users working across common computer-based lighting control platforms.
The Showtec Quick DMX D512S measures 75 x 35 x 35mm and weighs just 0.08kg. Its IP20 rating means it is intended for indoor use only, and the maximum ambient temperature is listed at 40°C. The compact size and low weight make it easy to transport, store and integrate into both temporary and fixed lighting control setups.
For customers looking for a compact USB-to-DMX control interface for Quick DMX software, the Showtec Quick DMX D512S provides a straightforward and capable solution. With 512 DMX channels, one universe, 3-pin XLR DMX output, MIDI triggering, standalone scene/chase playback, USB power and a durable metal housing, it is a practical interface for computer-based DMX lighting control.
The Showtec Power Spot 9 Q6 Tour is a compact RGBWAUV LED PAR fixture designed for bright colour output, silent operation and professional control in indoor lighting environments. Fitted with 9x 12W six-colour LEDs, it combines red, green, blue, white, amber and ultraviolet output in one fixture, giving users access to bold saturated colours, mixed white tones, warm amber looks and UV effects from a single compact unit.
The six-colour RGBWAUV engine gives the Power Spot 9 Q6 Tour more flexibility than a standard RGB fixture. White and amber LEDs help create cleaner mixed whites and warmer tones, while the UV element adds blacklight-style creative effects where required. This makes the fixture useful for colour wash, accent lighting, uplighting, stage effects and visual enhancement where a compact but capable LED spot is required.
With a total luminous flux of 2346 lumens and illuminance of 12050 lux at 2m, the fixture provides strong output for its size. The 18° circular beam angle produces a defined beam suitable for punchier colour projection rather than very wide flood coverage. This narrower beam can be useful where the output needs to be directed with more focus, or where multiple fixtures are used together to create structured colour coverage across a performance or event space.
The Power Spot 9 Q6 Tour supports multiple control modes, including auto, built-in program, DMX, master/slave and static dimmer operation. This allows the fixture to work in both standalone and controlled lighting setups. In DMX mode, the unit supports 6, 8 and 10 channel configurations, giving users a choice between simpler channel management and more detailed control over colour, dimming, programs, strobe and related functions.
The fixture includes 0–100% dimming and a 0–20Hz strobe function, allowing it to be used for static looks, fades, colour changes and dynamic effects. The 7800Hz refresh rate supports flicker-free performance in many camera-facing environments, making the fixture suitable for setups where video capture or livestreaming may be involved.
Connectivity is practical for professional lighting systems. Power is provided through powerCON-style input and output connectors, while DMX is available on both 3-pin and 5-pin XLR input and output connectors. This makes the unit easy to integrate into mixed DMX systems without needing to rely on adaptor leads for every connection. A 1.5m power cable is included with the fixture.
The Tour-style housing is made from die-cast aluminium and finished in black, giving the fixture a robust and professional appearance. Convection cooling provides fanless operation, making the unit suitable for environments where low noise is important. The double bracket allows the fixture to be rigged with a suitable clamp or positioned on a flat surface for floor-based use. A safety attachment point is also included for secure mounting.
The Showtec Power Spot 9 Q6 Tour measures 264 x 113 x 294mm and weighs 2.84kg, making it compact, manageable and easy to deploy within a lighting rig. It is rated IP20 and designed for indoor use only. Operating temperature range is listed from -10°C to 40°C, supporting typical indoor venue and production environments.
For customers looking for a compact six-colour LED spot with strong output, UV capability, fanless operation and professional DMX connectivity, the Showtec Power Spot 9 Q6 Tour provides a practical and flexible solution. With 9x 12W RGBWAUV LEDs, 18° beam angle, 2346 lumen output, 6/8/10 channel DMX modes, 3-pin and 5-pin DMX, powerCON-style connections and a die-cast aluminium housing, it is a capable fixture for modern indoor colour and effects lighting.
The Showtec Performer Profile Zoom 150 Q6 is a compact LED profile spotlight designed for precise beam control, refined colour mixing and high-quality theatrical output. Built around a 150W RGBACL LED source, it combines red, green, blue, amber, cyan and lime LEDs to deliver an extended colour palette with strong white light flexibility, high colour rendering and accurate beam shaping.
The RGBACL colour engine provides more advanced colour control than standard RGB or RGBW fixtures. Amber and lime support warmer tones, improved pastel colours and better mixed whites, while cyan adds depth and flexibility to cooler colours and saturated effects. With an adjustable colour temperature range from 1800K to 10000K, the fixture can produce very warm theatrical tones, clean neutral whites and cooler white light from the same unit.
With a CRI of 95, the Performer Profile Zoom 150 Q6 is well suited to lighting people, sets, props, fabrics and scenic elements where colour accuracy is important. The fixture delivers a total luminous flux of 2624 lumens, with measured illuminance of 1588 lux at 2m, 706 lux at 3m and 254 lux at 5m. This gives it practical output for controlled profile lighting where precision, colour quality and beam definition are more important than raw flood output.
The manually adjustable 25°–50° zoom range allows the beam size to be changed without swapping lens tubes. This gives the fixture useful flexibility across different rigging positions and projection distances. A narrower 25° setting can be used for more focused areas, while the wider 50° setting provides broader coverage where a larger shaped beam is required. The 1:2 zoom ratio makes the unit adaptable for a range of profile lighting tasks.
An integrated framing shutter system allows the beam to be shaped directly at the fixture. This is one of the key advantages of a profile spotlight, allowing light to be cut cleanly from unwanted areas and focused onto a defined zone. The shutter system is useful for controlling spill, lighting specific stage areas, framing scenic elements, highlighting speakers or shaping light around set pieces and architectural details.
Control is available through DMX and manual operation, with support for DMX and RDM protocols. The fixture offers 3, 7, 8, 10, 13 and 20 channel modes, giving flexibility for both simple and detailed lighting control setups. Smaller channel modes keep programming efficient, while the larger modes allow more detailed control over colour, dimming, strobe and fixture functions. RDM support allows compatible systems to access fixture settings and information remotely.
The fixture includes 0–100% dimming and a 0–25Hz strobe function. A maximum refresh rate of 25kHz supports smooth visual performance and helps make the fixture suitable for many camera-facing environments. The onboard 1.3" OLED display provides clear access to fixture settings, while fan mode control allows the cooling behaviour to be managed according to the operating environment.
Power is supplied from a 100–240V AC, 50/60Hz input, with a listed power consumption of 170W. The fixture uses Power Pro True input for mains connection and 5-pin XLR input/output for DMX. A Power Pro True cable is included, supporting setup straight from the box.
The housing combines ABS, aluminium and steel construction with a black finish, giving the fixture a professional appearance for stage and venue environments. It is IP20 rated for indoor use and includes bracket mounting with a safety attachment point. Cooling is handled by convection and axial fan operation, with a maximum ambient temperature rating of 45°C.
The Showtec Performer Profile Zoom 150 Q6 measures 568 x 224 x 191mm and weighs 6.1kg. Its compact format makes it practical for rigs where profile-style beam shaping, high colour quality and LED efficiency are required without excessive fixture size or weight.
For customers looking for a modern LED profile with advanced colour mixing, high CRI, manual zoom and integrated shutter control, the Showtec Performer Profile Zoom 150 Q6 provides a capable professional solution. It combines RGBACL colour performance, 1800K–10000K white light control, 25°–50° zoom, DMX/RDM operation and precise beam shaping in a compact profile fixture suitable for contemporary stage and venue lighting systems.
